GUITAR


plesiosynchronous (2022)

for guitar duo (10 min)

Commissioned by ChromaDuo

Premiered in Toronto, ON, September 17, 2022


Muššatur's Dream (2022)

for electric guitar quartet (10 min)

Commissioned by Instruments of Happiness

Premiered by Instruments of Happiness in Montreal, QC on May 10, 2022


St. Nazaire (2022)

for solo guitar (7 min)

Commissioned by Emma Rush and recorded on A Dream of Colour (2022)

https://emmarush.bandcamp.com/album/a-dream-of-colour

Score published by Cal Guitar Arts


Slancio (2021)

for solo guitar (10 min)

Commissioned by Libby Meyers and recorded on Unfettered and Alive

Premiered at the Anywhere Festival, Brisbane, AUS on May 21 and 23, 2021

https://libbymyers.bandcamp.com/track/slancio


Scavenger Cycle (2016)

Solo guitar and electronics. 2016.

Studio recording by Amy Brandon of Artificial Light, Scavenger and War Games.

Studio recording by Amy Brandon of Transform

Studio recording by Amy Brandon of Clockwork

Australian premiere by Libby Myers at Hidden Dome, Brisbane on December 9, 2018.

 

 

Intermountainous (2018)

For 10-string or 6-string guitar and electronics. Written for Julian Bertino.

Winner of the Leo Brouwer Composition Competition Grand Prize 2018.

Winner of the Ottawa Guitar Society Composition Competition 2017.

Studio recording by Julian Bertino of the 10-string version of Intermountainous.

Live recording of the 6-string version of Intermountainous by Adam Cicchillitti at The 21st Century Guitar on August 22, 2019.

Live performance if Intermountainous by Julian Bertino at the University of Ottawa, 2018.

 

 

Prometheus (2019)

For Brahms guitar. Written for Joseph Ehrenpreis.

Premiered at the 21st Century Guitar, Ottawa ON on August 22, 2019.

Studio recording of Prometheus by Joseph Ehrenpreis.

 

 

Split (2019)

For unamplified electric guitar and live electronics (stereo or 8-ch).

Honourable Mention: Sergio Sorrentino / RMN composition competition 2018.

Premiered at the centre d’experimentation musicale in Chicoutimi, Quebec by Marc-Antoine Makin-Guay on December 6, 2019.

8-channel binaural reduction by Guillaume Thibert.

 

 

7 Malagueña Fragments for Augmented Guitar (2019)

For Spanish guitar and augmented reality. Written for Emma Rush.

A fragmenting of Malagueña tropes with electronics triggered via augmented reality motion capture.

Premiered at the Sound and Music Computing Conference in Malaga, Spain on May 29, 2019.

Studio recording by Emma Rush (without electronics).

Rehearsal recording by Emma Rush (with AR electronics).

 

 

Ecoando (2014)

For jazz guitar duo.

Studio recording of Ecoando by Amy Brandon and Roddy Ellias.

 
 

 

VL (2015)

For jazz guitar and classical guitar duo.

Score available upon request.

Studio recording of VL by Amy Brandon and Mike Rud.